#Stream limbo movie tv
The decision to change Baker’s look for the film was an intentional one from Sen, who wanted the audience to disregard any preconceptions they might have had of Baker from his TV roles. Ivan Sen, Natasha Wanganeen, Rob Collins and Simon Baker at Limbo‘s premiere during the 73rd Berlinale International Film Festival. Gone are the wavy blonde locks that many associate with the actor in favour of a buzz cut, along with large spectacles, a proper beard and a heavily tattooed body. Limbo also provided Baker with the opportunity to transform his physical appearance. “Ivan’s choice of shooting it in black and white was really exciting to me because it does have an impact on how the performance sits within the landscape… Your brain is so stimulated by colour that when you see something in black and white you look deeper into it,” Simon suggests. “It was just exciting for me to know that I was working with someone that had that same kind of feeling and passion about how the story is told.” Simon Baker “I’m a big fan of cinematography, not just for the beauty of it but for the purpose of how you present a story, and the impact every single frame has on the way that story is told and the tone of it.” This is incredibly cinematic’,” said Baker. “I do remember very clearly when sent through those first images, I was like ‘Wow! This is great.
Limbo provided the award-winning filmmaker with the opportunity to work in the South Australian town of Coober Pedy, a former opal mining town known for its underground dwellings and remarkable, almost lunar-like landscapes. Sen, who also handles cinematography in his movies, is known for his unique eye for landscapes. Image Credit: Bunya ProductionsĪ large factor in accepting the role in Limbo resided in the stunning black-and-white landscape shots that Sen presented to Baker. “Every conversation I had with Ivan I always left the conversation feeling more secure in what he was doing, and when you feel that sense of security and that precision in which he produces his filmmaking, it gives me more room and more space and more confidence as an actor, and a greater level of trust to take risks and to push it as the character.” Baker’s role as Travis in Limbo is unlike any other role Baker’s brought to life before. “Ivan is an incredibly talented and skilled filmmaker… He also has a pretty unique perspective into a world that we don’t see very often on screens, and coming back to Australia I was overwhelmed with the potential for new and interesting ways to stories within this country,” said Baker. Limbo provided an opportunity for Baker to work with one of Australia’s most accomplished filmmakers in Ivan Sen, who is especially known for his crime-western movies Mystery Road and Goldstone. “So being the ace that I am now, I think I’m more conscious of wanting to connect with the work that I do,” he quips. “We can make smaller, character-driven films that have the potential to connect with marginalised aspects of our society and our culture, and we can do that in a relatively small analogue way, and we can still make cinema and make movies that may start a conversation or potentially move the needle a bit, and that’s exciting to me on an artistic level and as a human being.” “I feel like there are benefits in this country in the fact that we don’t have a massive film business,” Baker postulates. There was always a reason why I got into this profession, and it was because I remember as a teenager going to the movies feeling a connection and not feeling alone or not feeling isolated, and having something to project and reflect on screen, and that connection is interesting.” Simon Baker Simon Baker as Travis and Natasha Wanganeen as Emma in Limbo. “That didn’t mean that I didn’t have an artistic heart. “I spent 20 odd years in America, and I established a career for myself there, and a large portion of my life I was a father and a husband and a provider,” Baker tells DMARGE.
Roles in the acclaimed films High Ground and Blaze would follow. Baker also starred and co-wrote the film, for which he received multiple AACTA nominations and a win for Best Supporting Actor. Upon returning to Australia, Baker made his directorial debut in the coming-of-age drama Breath, which is based on the Tim Winton novel of the same name.
0 kommentar(er)
